Use Pastels To Enhance Your Command Of Colors

By Karl Sultana

Because of its ease of handling, pastel is an excellent medium for a beginning painter to learn about color or become more familiar with the various pigments derived from diverse sources and how effectively they blend, contrast, or complement one another.

Plan Colors in Advance

A good color reminder is to prepare a ‘custom color chart’ after you’ve planned your pastel drawing and chosen your colors, but before you begin work. Using the pastel colors you’ve chosen (leaving aside black or very dark colors), apply a one-inch horizontal strip of color across a piece of paper (the same type of paper you plan to use for your work). Leave an inch of clean space between each stripe and write the name/number of each color at the far end.

Then, turn your paper 90 degrees and using the same pastels in the same order apply another one-inch strip of color. You may have to clean each pastel after it passes through each of the cross stripes. Take your time so you end up with each color passing over every other color with pure color between. Don’t worry if the colors smear just a bit as you’re going to be smearing some of them anyway.

When this is done, use your fingertips to gently blend the various combinations where they intersect. Blending diagonally with an additional adjacent color can give you further combinations. Hang your ‘custom color chart’ where you can see it as you work. Do not use a fixative on your color chart so you can continue to experiment on it to blend colors.

Experiment with Techniques

Experiment using each pastel technique with different pastels (hard, semi-soft, and soft) to become familiar with the slightly different result each gives. Different brands of pastels can also give varying results.

Outlining: For gestural lines and contours, draw with the end of the pastel, wielding it as you would a pen or pencil. Use broad, relaxed strokes employing your whole arm, to achieve expression, and bear down more firmly to alter the thickness of you lines.

Filling in areas of color: Peeling the paper from a pastel and using the flat side in broad strokes will give you large blocks of color. Bearing down harder creates a heavier, darker, color. (Save the paper; storing the pastel stick in its paper helps you remember the color name.)

Hatching and cross-hatching: Using hard pastels or pastel pencils, draw sets of fine parallel lines, either curved or straight to block out your subject. Use several colors, i.e., darker hatching in shadows, light colors for highlights or reflections, consulting your ‘custom color chart’.

Blending: Blend by using your fingers or any one of the many blending tools available, such as a tortillon, paper stump; putty, kneading erasers, cloth, Q-tips, or cotton balls. Gently blend filled in single color areas, taking care not to run into lines or adjacent colors and clean your finger or change tools when you move to another color. Where you plan to blend colors, blend the hatching and cross-hatched areas, following your color plan.

Scumbling, feathering, and dusting are other techniques for achieving special effects.

An inexpensive way to acquire a photo to pastel portrait is to commission one from photo to pastel portrait website.

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Beginner’s Acrylic Painting – Paper Painting Surfaces

By Catherine Calder

What You Need to Know

Have you ever gone in to buy some paper for painting and been overwhelmed by the choice? You would think it would be a simple thing to buy a sheet of paper, wouldn’t you? Well, it can be if you know what the different choices mean and how it can affect your finished painting.

A Beginners Guide on Acrylic Painting Paper Surfaces

Manufacturers have created a whole range of paper products for the artist. So many choices that unless you know what some of the terms mean it can be very confusing.

When you want your painting to last for a long time always go for acid-free. This is the type of paper used in archives.

Different Textures

The next thing is the surface texture of the paper, whether you want a fine texture or rough. You may be asking “How do I know? I’m just beginning with acrylic paints and I want something to paint on!”

The texture you choose will depend on your style of painting and the kinds of paintings you like. If you like to have a lot of detail in your paintings you will need a smooth textured paper – in which case you want one that is ‘Hot Pressed’.

If you use a lot of watercolour (or watercolour style) washes then the paper you should choose will be ‘Not’. That means ‘Not hot pressed’. It has a bit more texture than Hot pressed papers.

If you paint a lot of landscapes and/or like granulation (which happens when the colors separate while they dry) you will probably like using Cold pressed papers. These have the roughest texture.

Papers are sold in weights. This affects the thickness of the paper. Papers that are less than 300-lb or 640gsm (grams per square metre) will need to be stretched before painting. If you don’t stretch the paper it will buckle when wet making painting difficult and the paint will dry in the hollows giving a disappointing result.

Painting Tip

Stretching paper needs to be done in advance and the paper allowed to dry before you use it. You will need a clean drawing board, some 1½ inch wide gum strip, and water to soak the paper in (the bath is handy for this).

Soak the paper in the water until it is saturated, this will take less than a minute. Place the paper onto the board and smooth it out from the centre to the edges.

Cut pieces of gum strip to fit the length and the width of the paper, plus a couple of inches. Dampen the gum strip and use it to stick the longer edges of the paper to the board, and then do the shorter edges. Smooth out the paper and the gum strip and leave it to dry naturally and on the horizontal. Do not place it near a heater!

If you just want to paint without needing to prepare the paper, there are pads of ready stretched paper that save you having to do this yourself. These pads have the paper glued around the edges and you paint on the top of the pad. Once you’ve finished the painting and it is completely dry, a knife is inserted at one of the edges and moved around the sides to cut through the glue and free the top layer.

It is a good investment to buy good quality paper. It is much easier to use which is important when beginning with acrylic paints, and gives a better result.

Next time you need to buy paper think about how you like to paint, and it will be much easier to decide on the type of paper to buy.

Look out for other Beginners Acrylic Painting articles on buying the rest of your painting supplies – palette and brushes, and acrylic paints.

About The Author
Catherine Calder is the author of the Acrylic Painting Course. The simple step-by-step way to learn how to paint Quick and Easy. Check out ‘Painting Surfaces – The Good, The Bad, and The Ugly’ In The Special Reports section at http://www.learnanddo.com/acrylic.asp